A Brighton based music blog and radio series by a Philosophy student called Peter Lanceley. I broadcast every Saturday evening at 6.30pm on Resonance FM and document my writing here. I also release music with the Alcohol Label and make music with Kinnie The Explorer. If you'd like to contact me, for whatever reason, please do so on...

peter [at] thismusicwins.com

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Follow me on twitter @thismusicwins / @peterlanceley / @explorerkinnie / @alcohollabel
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April 3rd
11:09 PM

Album Premiere: Shinamo Moki - For You

I’m very proud indeed to be able to première this excellent new EP from Uckfield bedroom duo Shinamo Moki, the latest in a long line of South East UK acts to collaborate with New York digital label Housewarming Records for a free and digital only release. I live in the South East, which qualifies me a little in proclaiming HR’s skill at unearthing local electronic talent is unparalleled (see Birkwin Jersey and J Biscuits), especially considering just how remotely he operates.

This EP is underpinned and defined by its percussion, which is loud and tight but wilfully reserved and constantly unfolding. “Zeal” is digital to the core, opening the gates for a monochrome, Gold Panda-esque rattle of vague splintering motifs which palpitate and flourish under guise of a solid, crackling snare sound. The introduction of a kind of grand electronic string sound sets a precedent for the  eclectic, and it is not long at all before “Umi” (above) represents the unleashing of the Eastern influence which colours, to varying degrees, the EP in its later stages.

“Jaded” is retro and trance-inducing, utilising an fluid fade-in and background gurgles (of vocals??) to create a watery ambience which the final track manages to hold together, by means of a wonderfully organic acoustic sound on a slow-burning and pleasant chord progression. Its not long before its engulfed in a wash of tearing ambient noise - a moment for headphones, if anything is. 

Keep up with Shinamo Moki and HR first by downloading the EP for FREE just below, and if it takes your liking then you can connect with Shinamo Moki on their facebook and soundcloud pages. Fascinated to hear more from them, so I know I’ll be keeping tabs.

HOUSEWARMING RECORDS WEBSITE

March 25th
3:50 PM
This Music Wins (24/3/2012) on Resonance 104.4 FM. Every Saturday at 6.30pm.
Mount Eerie - House Shape //
Low Profile - City //
Lower Dens - Propagation //
Saskatchewan - Fronting //
Little Chords - Always / Never // 
S. Carey - Two Angles //
Listen again to the 38th show here…

This Music Wins (24/3/2012) on Resonance 104.4 FM. Every Saturday at 6.30pm.

  1. Mount Eerie - House Shape //
  2. Low Profile - City //
  3. Lower Dens - Propagation //
  4. Saskatchewan - Fronting //
  5. Little Chords - Always / Never // 
  6. S. Carey - Two Angles //

Listen again to the 38th show here…


December 16th
7:20 PM
Interview: Erik David Hidde (Housewarming Records)
Erik David Hidde is the man behind Housewarming Records, a worldwide digital label and home of several bands featured on these pages, namely, 17-year old London producer Jamie Isaac, downtempo IDM project IVVVO from Portugal, Austin’s Gladius The Fertile, Berlin’s Freakish Atlantic and a little closer to home, Brighton’s Birkwin Jersey. As this interview goes out, Housewarming is digital, free and and able to be checked out in more detail at the Housewarming Records website.
P: Tell us a little bit about Housewarming Records. What inspired it? Do you run it alone?
E: Housewarming Records is (as of now) a free, digital record label that I started in the beginning of May 2011. I run it alone, and I am very pleased with how it’s going so far. The real reason I started it was because I was always raving to my friends about all this great underground music, and I wanted to do all that I could to help it reach the surface, or at least help them get more listeners. I am friends with a lot of independent music lovers, musicians, and some people who write for blogs, so I would initially show them what I was releasing and go from there. My basic goal is to keep the music as consistent as possible while maintaining a high quality. Right now I have over 15 acts from all over the world, and it is an eclectic mix of artists/bands and I wouldn’t have it any other way. I have made many special relationships with people I have never properly gotten the chance to meet, and I try my hardest to keep in close contact with them. I couldn’t do this by myself without the help and guidance of my Lord and savior Jesus Christ, he gives me all the insight and keep me going strong to do everything that I can to help these musicians succeed . I am very thankful for Housewarming Records, for it has shown me a lot about myself, as well as the kindness and determination of others. Many Housewarming artists inspire me, and in turn, push me to make my own music that much better. I feel very blessed to be working with such great musicians, and people, and I thank them for their trust in me. I am also very grateful for everyone who has supported me, and everything that they’ve done to help my label reach a wider audience.
P: How would you describe the music on your current roster and how do you choose new artists?
E: I would describe the music on the current roster to be eclectic, emotional, and very promising. I choose new artists basically the same way I would choose what music is on my iPod, it’s music that I thoroughly enjoy listening to. I usually come across the musicians when I am searching through loads of music on bandcamp, and then I narrow down the releases that affect me the most and go from there. 
P: I love the Housewarming Records selection of art. Do you think there’s as much of a place for beautiful artwork with the decline of physical releases?
E: I am very happy to hear that you feel strongly about the artwork, for I am very grateful that the artists on Housewarming have such good taste in artwork selection. I think that with digital releases artwork goes a long way, just like it does with physical releases, especially when using a site like bandcamp as a platform, because they have a place for artwork on every release that you upload, and it truly has a way of speaking to you, even before you press play. 
P: Any plans to showcase Housewarming Records? Plans for the new year? 
E: I have been thinking about putting together a Housewarming showcase/show at some point or another, but to be honest I don’t see that happening any time soon. It’s hard to get the artists/bands involved when they are located all over the world, but hopefully the pieces will come together in the future.
I am very excited for the new year, but only God knows what 2012 will bring. I’m just very thankful Housewarming had 22 successful releases in 2011 since May, and there are some amazing new releases coming in the new year, including full length releases by some amazing musicians. 
P: What kind of music do you make yourself?
E: I have two solo projects, one is Not a Thing to Believe In in which I have released a full length, two singles, a number of unreleased songs, and I also have a new full length in the works. I would classify the music as lo-fi pop/rock and some of my influences for the project include Sufjan Stevens, The National, Casiotone for the Painfully Alone, and The Antlers. My other solo project is Beater Ban in which I have only released one song, but I was very pleased with the initial response and kind reviews I’ve received. I am currently in the process of putting finishing touches on my first proper Beater Ban release, which I am extremely excited about. I would classify this music as electronic beat music, and some of my influences include Four Tet, Nathan Fake, and IVVVO (who is an artist on Housewarming Records). Both projects are very emotionally driven, and rely heavily on the atmosphere of the tracks. I am also involved in other outfits, but I am not the sole member like in these two projects. 
P: Favourite records of the 2011?
E: 10. Miracle Fortress “Was I the Wave?”
09. The Antlers “Burst Apart”
08. Grandpa Was a Lion “The Whalestone Tapes”
07. Future Islands “On the Water”
06. Coldplay “Mylo Xyloto”
05. Kurt Vile “Smoke Ring For My Halo”
04. Mogwai “Hardcore Will Never Die, But You Will.”
03. Bon Iver “Bon Iver, Bon Iver”
02. Radical Face “Family Tree: The Roots”
01. Apparat “The Devil’s Walk” 
Visit the Housewarming Records website, and download two releases by HWR-associated artists below.
IVVVO - For U (MP3) (full EP)
Gladius The Fertile - Happiness Consumes (MP3) (full EP)
Jamie Isaac - Streaming via bandcamp.

Interview: Erik David Hidde (Housewarming Records)

Erik David Hidde is the man behind Housewarming Records, a worldwide digital label and home of several bands featured on these pages, namely, 17-year old London producer Jamie Isaac, downtempo IDM project IVVVO from Portugal, Austin’s Gladius The Fertile, Berlin’s Freakish Atlantic and a little closer to home, Brighton’s Birkwin Jersey. As this interview goes out, Housewarming is digital, free and and able to be checked out in more detail at the Housewarming Records website.

P: Tell us a little bit about Housewarming Records. What inspired it? Do you run it alone?

E: Housewarming Records is (as of now) a free, digital record label that I started in the beginning of May 2011. I run it alone, and I am very pleased with how it’s going so far. The real reason I started it was because I was always raving to my friends about all this great underground music, and I wanted to do all that I could to help it reach the surface, or at least help them get more listeners. I am friends with a lot of independent music lovers, musicians, and some people who write for blogs, so I would initially show them what I was releasing and go from there. My basic goal is to keep the music as consistent as possible while maintaining a high quality. Right now I have over 15 acts from all over the world, and it is an eclectic mix of artists/bands and I wouldn’t have it any other way. I have made many special relationships with people I have never properly gotten the chance to meet, and I try my hardest to keep in close contact with them. I couldn’t do this by myself without the help and guidance of my Lord and savior Jesus Christ, he gives me all the insight and keep me going strong to do everything that I can to help these musicians succeed . I am very thankful for Housewarming Records, for it has shown me a lot about myself, as well as the kindness and determination of others. Many Housewarming artists inspire me, and in turn, push me to make my own music that much better. I feel very blessed to be working with such great musicians, and people, and I thank them for their trust in me. I am also very grateful for everyone who has supported me, and everything that they’ve done to help my label reach a wider audience.

P: How would you describe the music on your current roster and how do you choose new artists?

E: I would describe the music on the current roster to be eclectic, emotional, and very promising. I choose new artists basically the same way I would choose what music is on my iPod, it’s music that I thoroughly enjoy listening to. I usually come across the musicians when I am searching through loads of music on bandcamp, and then I narrow down the releases that affect me the most and go from there. 

P: I love the Housewarming Records selection of art. Do you think there’s as much of a place for beautiful artwork with the decline of physical releases?

E: I am very happy to hear that you feel strongly about the artwork, for I am very grateful that the artists on Housewarming have such good taste in artwork selection. I think that with digital releases artwork goes a long way, just like it does with physical releases, especially when using a site like bandcamp as a platform, because they have a place for artwork on every release that you upload, and it truly has a way of speaking to you, even before you press play. 

P: Any plans to showcase Housewarming Records? Plans for the new year? 

E: I have been thinking about putting together a Housewarming showcase/show at some point or another, but to be honest I don’t see that happening any time soon. It’s hard to get the artists/bands involved when they are located all over the world, but hopefully the pieces will come together in the future.

I am very excited for the new year, but only God knows what 2012 will bring. I’m just very thankful Housewarming had 22 successful releases in 2011 since May, and there are some amazing new releases coming in the new year, including full length releases by some amazing musicians. 

P: What kind of music do you make yourself?

E: I have two solo projects, one is Not a Thing to Believe In in which I have released a full length, two singles, a number of unreleased songs, and I also have a new full length in the works. I would classify the music as lo-fi pop/rock and some of my influences for the project include Sufjan Stevens, The National, Casiotone for the Painfully Alone, and The Antlers. My other solo project is Beater Ban in which I have only released one song, but I was very pleased with the initial response and kind reviews I’ve received. I am currently in the process of putting finishing touches on my first proper Beater Ban release, which I am extremely excited about. I would classify this music as electronic beat music, and some of my influences include Four Tet, Nathan Fake, and IVVVO (who is an artist on Housewarming Records). Both projects are very emotionally driven, and rely heavily on the atmosphere of the tracks. I am also involved in other outfits, but I am not the sole member like in these two projects. 

P: Favourite records of the 2011?

E: 10. Miracle Fortress “Was I the Wave?”

09. The Antlers “Burst Apart”

08. Grandpa Was a Lion “The Whalestone Tapes”

07. Future Islands “On the Water”

06. Coldplay “Mylo Xyloto”

05. Kurt Vile “Smoke Ring For My Halo”

04. Mogwai “Hardcore Will Never Die, But You Will.”

03. Bon Iver “Bon Iver, Bon Iver”

02. Radical Face “Family Tree: The Roots”

01. Apparat “The Devil’s Walk” 

Visit the Housewarming Records website, and download two releases by HWR-associated artists below.

November 6th
3:06 PM
Jamie Isaac - Wash / Can See (Housewarming Records)
Last Friday, I played a show with my band Kinnie The Explorer at Cafe Oto in Dalston. Not only was the show a secret warm-up gig for Irish psychedelic folk band Dr Strangely Strange (playing under the pseudonym Mountains Of The Mind), but it was also the debut show for London’s rising talent Jamie Isaac. The seventeen-year old is a solo artist with an accomplished young band behind him, allowing his reverb-soaked piano songs to float in amongst the subtleties of distanced guitar sounds and the contributions of their percussive and mood-creating laptop accompaniment Amané Suganami (who has a fantastic project of his own).
The musician in me gazed in wondrous awe at just how Isaac managed to keep in time with such a slow tempo, and sparse percussion, demonstrating implicitly some well-rehearsed inner rhythm. Dynamically, the set was very careful, every move considered; the climax was huge, the swirling noise on Intro/Drowning Roots a sharp, spectacular breach of convention.
There’s a common ancestor in the James Blake-esque classical piano which underpins ‘Can See’ (below), one of his most direct pieces, archaic in sound and cut so painfully short. Also below is ‘Wash’, a link to visit Housewarming Records (also home to IVVVO), and means by which to hear the rest of Jamie Isaac’s discography at his band camp page.
<a href=”http://jamieisaac.bandcamp.com/track/wash” _mce_href=”http://jamieisaac.bandcamp.com/track/wash”>Wash by Jamie Isaac</a> <a href=”http://jamieisaac.bandcamp.com/track/can-see” _mce_href=”http://jamieisaac.bandcamp.com/track/can-see”>Can See by Jamie Isaac</a>

Jamie Isaac - Wash / Can See (Housewarming Records)

Last Friday, I played a show with my band Kinnie The Explorer at Cafe Oto in Dalston. Not only was the show a secret warm-up gig for Irish psychedelic folk band Dr Strangely Strange (playing under the pseudonym Mountains Of The Mind), but it was also the debut show for London’s rising talent Jamie Isaac. The seventeen-year old is a solo artist with an accomplished young band behind him, allowing his reverb-soaked piano songs to float in amongst the subtleties of distanced guitar sounds and the contributions of their percussive and mood-creating laptop accompaniment Amané Suganami (who has a fantastic project of his own).

The musician in me gazed in wondrous awe at just how Isaac managed to keep in time with such a slow tempo, and sparse percussion, demonstrating implicitly some well-rehearsed inner rhythm. Dynamically, the set was very careful, every move considered; the climax was huge, the swirling noise on Intro/Drowning Roots a sharp, spectacular breach of convention.

There’s a common ancestor in the James Blake-esque classical piano which underpins ‘Can See’ (below), one of his most direct pieces, archaic in sound and cut so painfully short. Also below is ‘Wash’, a link to visit Housewarming Records (also home to IVVVO), and means by which to hear the rest of Jamie Isaac’s discography at his band camp page.